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Lil Lil Wayne #437
Lil Wayne, Tha Carter III
Impressions: Lil Wayne is kind of an interesting trainwreck on (and off) the mic. Let’s put this on… Wayne’s got the usual braggadaggio, sometimes delivered in a sort of toasting rhyme style, but still surprising vunerability. Not the hugest fan of his voice, but he’s compelling as a erratic, almost tragic character. He’s good at offering up bon mots like “And I am no Elliott Ness/I don’t handcuff, I don’t arrest/I do confess to the murder scene/Cause under the sheets I am a mess” or “I’m rare/like Mr. Clean with hair.” His shattershot vocal style is not for everybody, but the state-of-the-art production with club-friendly beats and little weird touches is clearly aimed for popular success. The hook for “A Milli” is really annoying, and the rhymes make it a good candidate for a remix. I suffer from Autotune fatigue in other tracks like “Lollipop.” Very 2008. “Comfortable” is a pretty great little neo-soul-ish track, candidate for a rock solid iTune mix. Nicely played. “Dr. Carter” is hilarious, nice low-key jazzy production, a rare example of rap skit done well. Album is warming up… Tracks 5-9 is a brilliant run, but then some songs like “Let The Beat Build” get a bit monotonous. The whole album is over-stuffed with guests, ideas and gems along side of less successful cuts. Artistically, it’s diverse and dazzling at times, but kind of exhausting to take in the whole album. I mean, it’s just too long and, while the peaks are high, but there are some valleys (“Pussy Monster” has B-Side written all over it.) The last three songs are 20 minutes! That would have been like an EP back in the day. I mean, Wayne devotes the last five minutes of the album to a rambling monologue against Al Sharpton, of all people! This is all too bad, because there’s a potentially great album hiding in here. I like the ambitious attempt to make hip hop that can’t be placed in a neat little box, but Tha Carter III at least needs some editing.
Will you listen to this again? I would strip it for parts and dump half of it on iTunes.
Summary: Trendy, top-shelf 2008 hip-hop production works most of the time when mixed with Lil Wayne’s off-kilter sad-sack rhymes, but lack of editing dilutes overall effect.
Rating: ★★★